Details
The shop Record Mart, one of Latin New York's most important & historic music landmarks, served as the home base for Montuno Records, a small but important independent label started by proprietor Jesse Moskowitz in the 1970s. This collection samples the recordings from Montuno's catalogue that exemplify danceable Afro-Antillean music, from Nuyorican salsa to Haitian compas, Latin jazz to traditional Cuban genres as well as several interesting hybrids incorporating funk, doo wop and Brazilian sounds Includes tracks by key artists such as Airto Moreira, Manny Oquendo y Libre, Son de La Loma, Totico y sus Rumberos, Lou Pérez Comprehensive liner notes by Pablo Yglesias aka DJ Bongohead, including an in-depth interview with Jesse Moskowitz, plus original LP artwork and many unseen pictures
"I call this compilation an homage because I want to pay tribute to a label that stands out as a plucky cultural beacon from a time when Fania reigned supreme, a little bit of Gotham "gumpshun" that has inspired me (and many others) in various ways over the years. I vividly remember as a young visitor to La Gran Manzana (The Big Apple) going down into the subway, paying my fare, and taking a voyage of discovery not on the metro line itself, but rather in the brightly lit, somewhat grimy confines of Jesse's cramped store, soaking up the sights of Latin album cover art, the tropical sounds blasting over the speakers, and eavesdropping on conversations among the diminutive shop's knowledgeable staff and customers. The sights and smells, music and voices would mingle and create an almost overwhelming collage for the senses, as I would attempt to focus my excited eyes and ears on the retail displays, while the rushing crowds flew by in a blur of color and the screeching, rumbling din of the trains below competed for my attention. Just as the New York metropolitan transit system is a crossroads and a means of exchange and travel, so too is its sole surviving cultural tenant Record Mart, an underground urban grotto oasis that despite a period of closure and a dwindling market, seems to hold on as tenaciously as many veteran salsa musicians from the 70s still do to this day in the city. This collection samples the recordings from Montuno's catalog that exemplify danceable Afro-Antillean music, from Nuyorican salsa to Haitian compas, Latin jazz to traditional Cuban genres (including the all-percussion rumba, the flute and violinflavored charanga, and guitar/trumpetdominated son), as well as several interesting hybrids incorporating funk, doo wop and Brazilian sounds." - Pablo Yglesias aka DJ Bongohead
CD 1
1. Coco My My – TAMBÓ
2. Caballo – YAMBÚ
3. No Quedó Ni El Gato – ZAPEROKO
4. Báilala Pronto - MANNY OQUENDO Y LIBRE
5. El Avance - SON PRIMERO
6. Mariana - SON DE LA LOMA
7. Muñeco – TAMBÓ
8. Ensem'...Ensem'... – SCORPIO
9. Vecindad – YAMBÚ
10. Bon Bon De Chocolate - LOU PÉREZ Y SU CHARANGA
11. La Tía – BATACUMBELE
12. Bailaré – ZAPEROKO
13. Aquí Se Puede - AIRTO MOREIRA, FLORA PURIM & FRIENDS
14. A Una Mamita - TOTICO Y SUS
CD 2
1. Y Yo Ganga - SON DE LA LOMA
2. Profesor - YAMBÚ
3. Qué Humanidad - MANNY OQUENDO Y LIBRE
4. Pido Que Lo Toque - SON PRIMERO
5. El Zaperoko - ZAPEROKO
7. Mientras Yo Viva – TAMBÓ
8. Estoy Como Nunca - MANNY OQUENDO Y LIBRE
9. Corta La Caña - BONGO-LOGIC
10. A Sandy - SKAH SHAH #1
11. Zaperockero – ZAPEROKO
12. Songo Y Guantanamo - SON DE LA LOMA
13. A New Thing - YAMBÚ
14. Monte Tiene Garabato - SON DE LA LOMA
15. What's Your Name? - TOTICO Y SUS RUMBEROS
